A question about how to live
Two lives.
Life A: Comfortable, secure, without serious risk. You avoid conflict, pursue pleasant distractions, and never attempt anything that might fail painfully. You are content.
Life B: Demanding, uncertain, often painful. You pursue something that matters to you even though it may destroy your comfort. You are rarely at ease, but you are fully alive.
Which life is better lived?
The core
Friedrich Nietzsche (1844–1900) is the most misunderstood philosopher in the Western canon — and the one whose questions are hardest to avoid. His central insight is that European civilisation, having built its moral and cultural life on Christianity, was watching its foundation dissolve. Science, historical criticism, and the internal contradictions of Christian morality itself had made belief in God intellectually untenable for the educated classes. Nietzsche did not celebrate this; he diagnosed it with something closer to horror. “God is dead,” he wrote, “and we have killed him.”
The question that follows is the one that gives Nietzsche his significance: what now? If the moral framework that held European civilisation together for two thousand years has lost its authority, where do values come from? The danger Nietzsche foresaw was not atheism but nihilism — the collapse of all meaning, the conviction that nothing matters, that there is no purpose to strive for and no standard by which to judge. The twentieth century — with its world wars, totalitarianisms, and existential crises — confirmed his prediction with terrifying precision.
The will to power
Nietzsche’s answer to nihilism was not a new moral code but a diagnosis of what drives human life at its deepest level. He called it the will to power — not the desire for political dominion (though it has been catastrophically misread this way) but the fundamental drive to grow, overcome, create, and impose form on chaos. Every living thing, Nietzsche argued, strives not merely to survive but to expand — to become more than it currently is.
The Übermensch(overman or superman) is Nietzsche’s image of the human being who has faced the death of God without flinching and created new values from the depths of their own creative power. The Übermensch does not need external authority — God, tradition, the herd — to justify existence. They say yes to life in its entirety, including suffering, and find meaning not in escape from the world but in creative engagement with it.
Against this stands the last man— Nietzsche’s image of the human being who has responded to the death of God by shrinking. The last man wants comfort, security, entertainment. He has no great aspirations, no willingness to suffer for anything, no creative fire. He is the endpoint of a civilisation that has given up on greatness and settled for management.
In the Islamic tradition
Nietzsche had almost nothing to say about Islam specifically, but in one remarkable passage he compared Islam favourably to Christianity, praising its “yes-saying” character — its affirmation of life, power, and earthly existence, in contrast to what he saw as Christianity’s world-denying asceticism. Whether this reading of Islam is accurate is less important than the fact that Nietzsche intuited something real: Islamic civilisation, at its height, was a civilisation of extraordinary creative confidence — in science, art, architecture, philosophy, and governance.
Iqbal is the Islamic thinker who engaged with Nietzsche most deeply and most critically. He recognised in Nietzsche a diagnosis of civilisational decay that applied, with terrifying precision, to the Muslim world: a culture that had once overflowed with creative energy and was now producing last men — passive, imitative, content to inherit rather than create. The parallel between Nietzsche’s critique of European Christianity and Iqbal’s critique of Muslim taqlīd is unmistakable.
But Iqbal’s departure from Nietzsche is equally important. Nietzsche’s Übermensch creates values ex nihilo — from nothing, in a godless universe. Iqbal’s Mard-e-Momin (the ideal person of faith) also creates, also strives, also refuses passivity — but the direction of striving is toward God, not away from Him. For Iqbal, the death of God is not a fact to be faced but a misdiagnosis: what died in Europe was not God but a particular, inadequate concept of God. The task is not to create values from nothing but to recover the living God who demands creative selfhood from His creatures.
This is the most consequential divergence in Iqbal’s philosophy. Nietzsche’s will to power, untethered from the divine, can become precisely what the twentieth century made of it: the will to dominate. Iqbal’s khudi, oriented toward the Ultimate Ego, becomes the will to serve — not in the degraded sense of servility but in the Qur’anic sense of vicegerency (khilāfah): the creative stewardship of a world entrusted to human care.
Why this matters
Pakistan is a nation of last men — and Iqbal said so, in almost exactly these terms, a century ago. The symptoms Nietzsche described in the dying civilisation of Christian Europe are visible in Pakistan today: the retreat from creative ambition, the preference for comfort over risk, the substitution of inherited formulae for living thought, the suspicion of anyone who strives too visibly. The average educated Pakistani does not aspire to create; they aspire to secure a government job, a visa, or a comfortable routine. This is not laziness. It is what happens to a civilisation that has lost its animating purpose.
Nietzsche’s analysis explains the disease; Iqbal proposes the cure. But the cure is not a return to the past — it is the creation of something new. Iqbal’s entire body of work is an attempt to rouse the Muslim world from the sleep of the last man without falling into the abyss of the Übermensch untethered from God. The energy of Nietzsche, the direction of Islam — this is the synthesis Iqbal attempts, and it is the philosophical foundation of what Tadreej means by Resilient Ambition.
Understanding Nietzsche is important not because he was right about everything — he was wrong about much — but because without understanding what he diagnosed, you cannot understand what Iqbal was trying to cure. And without understanding the cure, you cannot understand why a project like Tadreej exists at all.
Connections
Related pages
Appears in
Lecture I (Sections 7–8) · Lecture IV (throughout)
Further reading
- Friedrich Nietzsche, Thus Spoke Zarathustra, Prologue and Part I (Kaufmann translation)
- Michael Tanner, Nietzsche: A Very Short Introduction (Oxford)
- Muhammad Iqbal, The Reconstruction of Religious Thought in Islam, Lecture IV